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Wambaugh, Joseph ListingsIf you cannot find what you want on this page, then please use our search feature to search all our listings. Click on Title to view full description
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FIRE LOVER: A TRUE STORY Wambaugh, Joseph 2002 400446 "Returning to print after a six-year hiatus, former LAPD detective sergeant and bestselling author Wambaugh) focuses on firefighters rather than his usual police beat. It's a surprising switch, but Wambaugh's regular readers will not be disappointed, since sparks fly throughout this potent probe into the life of arson investigator John Leonard Orr. Fascinated by fires in his L.A. childhood, Orr learned fire fighting in the air force. An eccentric loner with few friends & a womanizer with a string of failed marriages, he was rejected by the LAPD and LAFD. In 1974 he joined the Glendale Fire Department, where his gun-toting, crime-crusading capers earned him the label "cop wanna-be" from both police and firemen. Rising in the ranks, Orr became well-known as an arson sleuth. He had a sixth sense for tracking pyros, but there was one serial arsonist, responsible for the deaths of four, who remained elusive. In 1990, during the worst fire in Glendale's history, some noted that Orr's behavior "seemed very peculiar." That same year, Orr was appointed fire captain and began writing a "fact-based novel" about a serial arsonist who turns out to be a firefighter and in it Orr revealed certain facts about the unsolved arson case that he couldn't have known through his work. Was Orr the serial arsonist? Wambaugh recreates these events for a suspenseful, adrenaline-rush account of what one profiler dubbed "probably the most prolific American arsonist" of the 20th century. . William Morrow & Company 0-06-009527-X / 9780060095277 Hardcover As New New York Price:
17.15 USD
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FLOATERS Wambaugh, Joseph 1996 15953 Mick Fortney and his partner Leeds manage to cruise above the standard police stress-pools of coffee and Pepto-Bismol - they're water cops in the "Club Harbor Unit," manning a patrol boat on San Diego's Mission Bay. A typically rough day's detail consists of scoping out body-sculpted beauties on pleasure craft, rescuing boating bozos who've run aground, jeering at lifeguards, and hauling in the occasional floater who comes to the surface. But now their days are anything but typical, because the America's Cup international sailing regattas have come to town and suddenly San Diego is swarming with yacht crazies of every nationality, the cuppies who want to love them, and the looky-loo tourists, racing spies, scam artists, and hookers who all want their piece of the action. It's the outstanding body and jaunty smile - full of mischief, full of hell - of one cuppie, a particularly fiery redhead named Blaze, that gets Leeds and Fortney's attention. First Leeds drowns in frustratingly unrequited boozy love from afar. Then, with her increasingly odd behavior, Blaze tweaks every one of their cop instincts, alerting them that something's not quite right on the waterfront. Indeed, Blaze will soon lead leggy Detective Anne Zorn and Mick Fortney along a bizarre criminal trail that would be hilarious if it didn't wind up just as nasty as it gets, with a pair of murders right on the eve of the biggest sailing race of all. From The Critics Publishers Weekly Wrote PW, "the police work is, as always, authentic" in this thriller involving the America's Cup regatta. (Apr.) Library Journal In Wambaugh's (The Golden Orange, Morrow, 1992) latest, San Diego cops investigate murder during the America's Cup. Kirkus Reviews Fun-loving cop-novelist Wambaugh (Finnegan's Week, 1993, etc.) centers his latest San Diego police procedural around the international America's Cup regatta off Mission Bay and, as ever, comes up with a taut tale larded with raunchy dialogue. Two stories intertwine to give Wambaugh plenty of rope for a sailboat suspenser set mostly on dry land. First come the adventures of redheaded Blaze Duvall, a call-girl masseuse who gets involved with snobby bachelor Ambrose Lutterworth Jr., a 63-year-old client who happens to be the Keeper of the Cup-now likely to go to the Australian sailing team, which clearly has the faster boats. Mother-haunted Ambrose loves the very costly Cup as if it were the Holy Grail and lures Blaze into helping him keep it: His plan is to wreck the swifter of the Aussie's two boats while it's in dry dock. Meanwhile, Blaze's speedballing buddy, street hooker Dawn Coyote, flees her pimp, Oliver Mantleberry, but not fast enough to avoid Oliver's knifeblade. When Dawn dies on Blaze's front walk and Blaze disappears, horny vice cop Letch Boggs and aging homicide detective Anne Zorn team up to nab the elusive Oliver. Mission Bay water cops Mick Fortney and his sidekick Leeds are seemingly meant to carry this tale, and they do come upon two bodies in the water (floaters), but their work on water or land has almost nothing to do with the plot's outcome-nor do they. Instead, these nonstop jokesters hang about bars where the Aussies blow off stress with booze and boasting. The author's descriptive powers get full play at last when the climax moves aboard a fabulous pleasure yacht. No dimming of Wambaugh's storytelling skills or flow of smut. But his cop raunch, while amusing, has begun to pale. Pubvlished at Twenty Three dollars. Bantam Books 0-553-10351-2 / 9780553103519 Hardcover As New Condition New York Price:
18.03 USD
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HOLLYWOOD STATION: A NOVEL Wambaugh, Joseph 2006 1561898669 Starred Review. Wambaugh's outstanding new novel, his first in a decade, is not only a return to form but a return to his LAPD roots. Times have sure changed since the 1970s, the setting for some of Wambaugh's best earlier works such as The New Centurions and The Onion Field. Grossly understaffed, the officers of Hollywood Station find themselves writing bogus field interviews with nonexistent white suspects in minority neighborhoods to avoid allegations of racial profiling. Crystal meth rules the streets, and crackheads and glass freaks dressed in costume (Elvis, Marilyn Monroe, Darth Vader, Elmo) work the tourist strip, bumming money for their next fix. With an impressive array of police characters, from surfer dude partners "Flotsam" and "Jetsam" to aspiring actor "Hollywood" Nate Weiss and single mother Budgie Polk, Wambaugh creates a realistic microcosm of the modern-day LAPD. Today's crop of crime writers, including Michael Connelly and George Pelecanos, obviously owe a debt to Wambaugh. The master proves that he can still deliver! Published at twenty six dollars. Little, Brown and Company 0-316-06614-1 / 9780316066143 Hardcover New Condition New York Price:
19.11 USD
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HOLLYWOOD STATION: A NOVEL SOLD - DO NOT ORDER! Wambaugh, Joseph 2006 900870 Wambaugh's outstanding new novel, his first in a decade, is not only a return to form but a return to his LAPD roots. Times have sure changed since the 1970s, the setting for some of Wambaugh's best earlier works such as The New Centurions and The Onion Field. Grossly understaffed, the officers of Hollywood Station find themselves writing bogus field interviews with nonexistent white suspects in minority neighborhoods to avoid allegations of racial profiling. Crystal meth rules the streets, and crackheads and glass freaks dressed in costume (Elvis, Marilyn Monroe, Darth Vader, Elmo) work the tourist strip, bumming money for their next fix. With an impressive array of police characters, from surfer dude partners "Flotsam" and "Jetsam" to aspiring actor "Hollywood" Nate Weiss and single mother Budgie Polk, Wambaugh creates a realistic microcosm of the modern-day LAPD. Today's crop of crime writers, including Michael Connelly and George Pelecanos, obviously owe a debt to Wambaugh. The master proves that he can still deliver. Wambaugh, awarded the Mystery Writers of America Grand Master Award in 2004, returns to the crazed world of the LAPD for the first time since his 1983 novel, The Delta Star. It is a triumphant return. Not only does Wambaugh give readers his usual feast of black humor, as well as deliver another cast of edgy LAPD cops and wacko denizens of the street, but he also portrays how life for L.A. cops has changed in the last 20 years. The novel is both a celebration of street cops and an elegy for the old LAPD, now hobbled by post-Rodney King federal receivership, Draconian PC codes, oversight armies, and severe manpower and equipment shortages (Michael Connelly covers some of this same ground). The setting, Hollywood Station, also serves as a symbol for the collision of cops and criminals. For example, the stars on the Walk of Fame in front of Graumann's Chinese Theater are overrun by costumed cartoon characters who are actually addicts and whores; the stars in front of Hollywood Station are modeled after the stars on the Walk of Fame, but these stars contain the names of seven officers from Hollywood Station, all killed in the line of duty. The plot careens between cops and criminals, as seemingly random acts of desperation by a group of meth burnouts tie into a Russian criminal mastermind's scheme. High-voltage suspense drives the tale, and as always, Wambaugh's characters, language, and war stories exude authenticity. Terrific. Little, Brown and Company 0316066141 / 9780316066143 Hardcover New Condition New York Price:
19.59 USD
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