Oswald, he suggests, was quite possibly the lone gunman, or at least may have thought he was?in Mailer's scenario, there may have been other assassins present, unbeknownst to Oswald, conspirators working for some other group. His unconvincing analysis emerges from a labyrinthine pastiche of KGB and FBI transcripts, recorded dialogues, speculations, Oswald's letters and diary excerpts, and government memos.

Mailer interviewed Oswald's widow, Marina, and also spent months in Minsk interviewing Oswald's Russian acquaintances and co-workers as well as KGB officers. Pretentiously applying the novelistic techniques used to better effect in The Executioner's Song, Mailer ploddingly recreates Oswald's day-to-day existence in the Soviet Union, then in New Orleans and Dallas in the months leading up to Kennedy's assassination. He hypothesizes that Oswald was a provocateur playing a double-edged game with the U.S. and Russian intelligence communities to further his own self-styled mission.

"MARVELOUS . . . BREATHTAKING." --The New York Times Book Review "MAILER SHINES . . . Explaining Kennedy's assassination through the flaws in Oswald's character has been attempted before, notably by Gerald Posner in Case Closed and Don Delillo in Libra. But neither handled Oswald with the kind of dexterity and literary imagination that Mailer here supplies in great force. . . . Oswald's Tale weaves a story not only about Oswald or Kennedy's death but about the culture surrounding the assassination, one that remains replete with miscomprehensions, unraveled threads and lack of resolution: All of which makes Oswald's Tale more true-to-life than any fact-driven treatise could hope to be. . . . Vintage Mailer." --The Philadelphia Inquirer "FASCINATING . . . A MASTER STORYTELLER . . . Mailer gives us our clearest, deepest view of Oswald yet. . . . Inside three pages you are utterly absorbed." --Detroit Free Press "MAILER AT HIS BEST . . . LIVELY AND CONVINCING . . . EXTREMELY LUCID . . . Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance. . . . [He] has found a way to make the dry bones of KGB tapes and his own interviews stand up and perform.

From the American master conjurer of dark and swirling purpose, a moving reflection." --Robert Stone The New York Review of Books "THIS IS A NARRATIVE OF TREMENDOUS ENERGY AND PANACHE; THE AUTHOR AT THE TOP OF HIS FORM." --Christopher Hitchens Financial Times "Mailer has written some pretty crazy books in his time, but this isn't one of them. Like its predecessor, Harlot's Ghost, it is the performance of an author relishing the force and reach of his own acuity."

 Random House 0-679-42535-7 / 9780679425359
Hardcover As New New York Advanced Reading Copy (ARC) 

Price: 21.07 USD

The boy duly develops an obsession with feces, a fascination with power, a grandiose self-image and a sexually charged yen for mass slaughter (the sight of gassed or burning beehives thrills him). Dieter frets over Hitler's ego-formation while marveling at the future dictator's burning gaze, his ability to sway weak minds and the instinctive führerprinzip that emerges when he plays war with neighborhood boys--talents furthered by Central Europe's ambient romantic nationalism. Mailer's view of evil embraces religions and metaphysics, but it's rooted in the squalid soil of toilet-training travails and perverted sexual urges. The novel sometimes feels like a psychoanalytic version of The Screwtape Letters, but Mailer arrives at a somber, compelling portrait of a monstrous soul.

From Booklist: "In his first novel in more than a decade, Mailer continues to provoke. Only a writer with his temerity would attempt a novel interpreting perhaps the most notorious figure in modern history, Adolf Hitler. Obviously, this is not your usual historical novel (neither was the author's fictional foray into pharaonic Egypt, Ancient Evenings, 1983). Here the focus is on Hitler's childhood and youth and immediate forebears. This is less a psychological study of evil than a fanciful one: the story is narrated by a devil, one of the corps of devils working under Satan, who has chosen Hitler personally to do his "work." Mailer has worked out a whole system for (pardon the rhyme) levels of devils, which will strike the reader as corresponding to theological theories concerning the degrees of angels, and, like angels, the devils struggle within their "family" as family members do--that is, they struggle not only among themselves but also with Satan. Mailer is never an easy read; in this novel, as in all his fiction, subject matter, themes, and prose style make demands on readers' willingness or even ability to stay focused. Here he cannot be faulted for inadequate knowledge of late-nineteenth- and early-twentieth-century central European history, but many readers will find the Satan-and-army-of-devils conceit a gimmick, perhaps even an offensive one, in trying to reach an understanding of evil. Other readers will be, as always, excited by Mailer's intelligence and creativity.

Published in 2007, about SEVEN hours playing time, SIX CDs, read by HARRIS YULIN.

 Simon & Schuster Audio 0-7435-6671-8 / 9780743566711
Audio CD As new condition 

Price: 29.40 USD