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 1. CRY TO HEAVEN   Rice, Anne
Westminster, Maryland, U.S.A. Random House, Incorporated 1991 Audio Cassette Program - Boxed Very Good Boxed
ABOUT THE BOOK Cry to Heaven ANNOTATION From the author of Interview with the Vampire. "Dazzling in its darkness. . . .Spellbinding!"--New York Times FROM THE PUBLISHER In this mesmerizing novel, the acclaimed author of THE VAMPIRE CHRONICLES and the LIVES OF THE MAYFAIR WITCHES makes real for us the exquisite and otherworldly society of the eighteenth-century castrati, the delicate and alluring male sopranos whose graceful bodies and glorious voices brought them the adulation of the royal courts and grand opera houses of Europe, men who lived as idols, concealing their pain as they were adored as angels, yet shunned as half-men. As we are drawn into their dark and luminous story, as the crowds of Venetians, Neopolitans, and Romans, noblemen and peasants, musicians, prelates, princes, saints, and intriguers swirl around them, Anne Rice brings us into the sweep of eighteenth-century Italian life, into the decadence beneath the shimmering surface of Venice, the wild frivolity of Naples, and the magnetic terror of its shadow, Vesuvius. It is a novel that only Anne Rice could have written, taking us into a heartbreaking and enchanting moment in history, a time of great ambition and great suffering-a tale that challenges our deepest images of the masculine and the feminine. "To read Anne Rice is to become giddy as if spinning through the mind of time." -San Francisco Chronicle "Dazzling in its darkness. Spellbinding." -The New York Times
Price: 12.07 USD
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 2. PANDORA (NEW TALES OF THE VAMPIRES)   Rice, Anne
New York Knopf Publishing Group 1998 Hardcover Very Good 8.36x4.93x1.26 in. .95 lbs.
We are in Paris on the Left Bank. The time is now. David meets Pandora in a crowded cafe, where she recounts her vampire tale - Pandora, two thousand years old, a Child of the Millennia, the first vampire ever made by the great Marius. David persuades her to write for him the story of her life.

We see Pandora from her mortal girlhood as the daughter of aristocrats in the peaceful Rome of Caesar Augustus through her perilous journey towards the vampire Marius, who will bestow on her the Dark Gift, and the tale of their two centuries together before they are tragically lost to each other. SYNOPSIS Anne Rice, creator of the Vampire Lestat, the Mayfair witches and the amazing worlds they inhabit, now gives us the first in a new series of novels linked together by the fledgling vampire David Talbot, who has set out to become a chronicler of his fellow Undead. The novel opens in present-day Paris in a crowded cafe, where David meets Pandora. She is 2,000 years old, a Child of the Millennia, the first vampire ever made by the great Marius. David persuades her to tell the story of her life. Pandora begins, reluctantly at first and then with increasing passion, to recount her mesmerizing tale, which takes us through the ages, from Imperial Rome to 18th-century France to 20th-century Paris and New Orleans. FROM THE CRITICS Peter Kurth Pandora, the latest offering in Anne Rice's wildly popular "Vampire Chronicles," has been packaged by her publisher in the form of a missal or a prayer book, printed on the finest paper in "Monotype Dante," a typeface "modeled on the Aldine type used for Pietro Cardinal Bembo's treatise De Aetna in 1495," according to the backnotes. The jacket is bordered by a detail from a 16th century Italian manuscript by Auguste Racinet, and the frontispiece is an eighth century rendering of "the scribe Ezra rewriting the sacred records." All this is appropriate to Pandora's plot, which knows no fixed time, place or consistent vernacular, and to Rice herself, who ranges all over the historical, philosophical and supernatural map in every book she writes. She's the Madame Blavatsky of our time, roaming through myth and arcane wisdom while keeping her eye sharply fixed on contemporary sensibilities. If you've never read Rice before, Pandora may not be the best place to start, with its constant references to her earlier sagas and its more or less routine invocation of vampires and their ways. It's a quirky little book, the first-person narrative of a Roman noblewoman from the period of Caesar Augustus, who, vampirized, has wandered the earth for 2000 years in search of blood and the meaning of life. The novel is told in the form of an autobiographical letter from Pandora -- her name used to be Lydia until the Emperor Tiberius slaughtered her family and she was forced to flee to Antioch, and later Egypt, under a new identity -- to David Talbot, an intermittent figure in other Rice novels who has now become a vampire himself. (Editor's note: While Salon's editor, David Talbot, often works suspiciously late, he is of no apparent relation to Rice's "David Talbot.") Like all of Rice's soulful demons, Talbot is looking for The Truth. "I am a miracle unto myself," he tells Pandora. "I am immortal, and I want to learn about us! You have a tale to tell, you are ancient, and deeply broken." With that in mind, Pandora recounts her weary journey, focusing on her relations with Marius, the Roman renegade she had loved as a girl and who, later, was the first man to suck her blood: "Marius taught me to hunt, to catch the evildoer only, and to kill without pain, enwrapping the soul of my victim in sweet visions or allowing the soul to illuminate its own death with a cascade of fantasies which I must not judge, but only devour, like the blood." In and out of the story are some of Rice's familiar standbys, "Mekare," "Maharet," "Akasha" and, of course, the vampire Lestat, currently lying comatose. Listed at Thirty Eight Dollars.
Price: 25.73 USD

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 3. TALTOS - LIVES OF THE MAYFAIR WITCHES   Rice, Anne
New York, NY, U.S.A.: Alfred A. Knopf Incorporated, 1994
Hard Cover. Brand New/As New Book Jacket. 6 x 9". ISBN:067942573x. Published at twenty five dollars, this legend-building storyteller is enthrallingly present in TALTOS. This new novel continues the epic of the Mayfair witches, the hypnotic saga of the occult that began with "The Witching Hour and Lasher". 467 pages.
Price: 12.50 USD
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 4. THE KINDNESS CURRICULUM: INTRODUCING YOUNG CHILDREN TO LOVING VALUES   Rice, Judith Anne
St. Paul, MN Redleaf Press 1995 Soft Cover As New 8- 1/2 x 11"
About the Author Judith Anne Rice teaches in the Early Childhood Family Education Program of the Saint Paul, Minnesota, Public School System. She is also the author of Lets Party and the best-selling childrens books: Those Mean Nasty Dirty Downright Disgusting but...Invisible Germs, Those Itsy-Bitsy Teeny-Tiny Not-So-Nice Head Lice, and Those Icky Sticky Smelly Cavity-Causing but...Invisible Germs.

Miss Rice has first-hand experience in dealing with various health issues facing children, parents, and providers in early childhood settings. She has also been Lead Instructor as well as a Nanny Instructor and is a popular presenter at workshops and conferences. Product Description: When you create opportunities for kids to practice such things as kindness, empathy, respect, and conflict resolution, youll be amazed at the results.

The Kindness Curriculum is designed to provide such opportunities. It is the outgrowth of the authors ten years teaching in the Early Childhood Education Program of St. Paul, Minnesota, and is in contrast to most other preschool curricula, which emphasize the cognitive domain. The activities in this book help build character. They teach the loving values and skills that children need in order to develop into happy, productive, and caring individuals. The first four chapters deal with the fundamental values of Love, Empathy, Gentleness, and Respect. In the fifth chapter, children learn about the powerful technique of Visualization followed by chapters on Self Control, Friendship, and Conflict Resolution.

There is also a chapter of take-home exercises to encourage parental participation. The activities are fun and easy while creating an atmosphere of acceptance, and love in which children can seek out the goodness in themselves and each other. 122 pages.
Price: 14.12 USD

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 5. THE TALE OF THE BODY THIEF (THE VAMPIRE CHRONICLES)   Rice, Anne
Mississauga, ON, Canada: Random House of Canada, Limited, 1992
Hard Cover. As New/As New. 6 x 9. ISBN:0679405283. In a new feat of hypnotic storytelling, Anne Rice continues the extraordinary Vampire Chronicles. Told with the unique - the mesmerizing - passion, power, color and inention that distinguish the novels of Anne Rice. 430 read-till-you-finish pages!
Price: 10.28 USD
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 6. VIOLIN   Rice, Anne
New York Knopf Publishing Group 1997 Hardcover New New book Jacket 6 x 9"
ABOUT THE BOOK Violin FROM THE PUBLISHER Anne Rice's Violin tells the story of two charismatic figures bound to each other by a passionate commitment to music as a means of rapture, seduction, and liberation. At the novel's center: a uniquely fascinating woman, Triana, and the demonic fiddler Stefan, a tormented ghost who begins to prey upon her, using his magic violin to draw her into a state of madness. But Triana sets out to resist Stefan, and the struggle thrusts them both into a terrifying supernatural realm. Violin flows abundant with the history, the drama, and the romantic intensity that have become synonymous with Anne Rice at her incomparable best. Anne Rice is the author of eighteen books. She lives in New Orleans. Also available as a Random House AudioBook FROM THE CRITICS San Francisco Chronicle Sit back and enjoy. . .The story flows like blood. Publishers Weekly Recurrent memories of past tragedies conjure up a violin-playing ghost in Rice's tortured, surely semi-autobiographical tale of love and grief. Narrator Triana has long accused herself of complicity in the deaths of her alcoholic mother and cancer-ridden daughter, but when her husband dies, too, an angry ghost comes to compound her guilt. In life, a 19th-century Viennese aristocrat who studied the violin with Beethoven, Stefan Stefanovsky, torments Triana with her lack of talent, then transports her into his own past, where she witnesses his death and hears performances by Beethoven and Paganini. Returning to the present, Triana makes a pilgrimage to Brazil where she believes her daughter may be reincarnated. Although Rice tends to group her novels into series, this ghost story bears little relationship to last year's Servant of the Bones. Its themes are darker, its ghost more seductive and its events clearly more personal. With so many parallels between the novel's details and what Rice has revealed of her own lifefrom her battles with weight to her Brazilian odysseyone almost wonders whether Rice has seen something like the apparition that her heroine describes. However much of the tale is pure invention, a new lyricismin keeping with the music that mocks and ultimately consoles her for her mortalitybrings Triana's strong, textured voice almost audibly to life. Library Journal Don't look for vampires or witches in Rice's latest, though it is still haunted by malevolent spirits. A young woman who longs to become a great violinist is at first abetted and then dangerously controlled by the ghost of a Russian aristocrat. Kirkus Reviews Anne Rice in her short form, and yet dreadfully in need of a caustic edit. Wavering between dream and reality, Rice (Servant of the Bones, 1996, etc.) opens with vastly wealthy Triana Becker's heartbreak in New Orleans as her husband Karl dies of AIDS. She lies embracing Karl's corpse for two days, celebrates the love he and she had, and longs to follow him into the grave: "All the blood in our dark sweet grave is gone, gone, gone, save mine, and in our bower of earth I bleed as simply as I sigh. If blood is wanted now for any reason under God, I have enough for all of us." As the reader struggles for a footing in all this gush, Triana's mourning flows into a bitter argument with her sisters, Katrinka and Rosalind, as they ponder where their missing younger sister Faye has gone, noting that a vagabond violinist who has been pursuing Triana has also vanished. Triana has seen a lot of death: her father, her drunkard mother, and the young daughter she and her first husband, Lev, lost to cancer. When Prince Stefan Stefanovsky, the violinist in question and now a ghost, returns with his fiddle, she parries his advances in surprisingly wooden dialogue. She steals his Stradivarius and, vamping its phantom strings, is able to transport herself and Stefan back to Vienna and Beethoven, then to Venice and Paganini, and, in increasingly surreal sequences, to Rio de Janeiro and to triumphs as an untutored virtuoso, even as the Strad summons up all her dead from the beyond. Of the gilded pen that single-handedly rev
Price: 23.62 USD
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 7. VIOLIN - Unabridge Audio Cassette Program   Rice, Anne
Westminster, Maryland, U.S.A. Random House Audio Publishing Group 1997 Audio Cassette Program As New 6.2 x 4.2 x 2.7 inches
ABOUT THE BOOK Violin FROM THE PUBLISHER Anne Rice's Violin tells the story of two charismatic figures bound to each other by a passionate commitment to music as a means of rapture, seduction, and liberation. At the novel's center: a uniquely fascinating woman, Triana, and the demonic fiddler Stefan, a tormented ghost who begins to prey upon her, using his magic violin to draw her into a state of madness. But Triana sets out to resist Stefan, and the struggle thrusts them both into a terrifying supernatural realm. Violin flows abundant with the history, the drama, and the romantic intensity that have become synonymous with Anne Rice at her incomparable best. Anne Rice is the author of eighteen books. She lives in New Orleans. Also available as a Random House AudioBook FROM THE CRITICS San Francisco Chronicle Sit back and enjoy. . .The story flows like blood. Publishers Weekly Recurrent memories of past tragedies conjure up a violin-playing ghost in Rice's tortured, surely semi-autobiographical tale of love and grief. Narrator Triana has long accused herself of complicity in the deaths of her alcoholic mother and cancer-ridden daughter, but when her husband dies, too, an angry ghost comes to compound her guilt. In life, a 19th-century Viennese aristocrat who studied the violin with Beethoven, Stefan Stefanovsky, torments Triana with her lack of talent, then transports her into his own past, where she witnesses his death and hears performances by Beethoven and Paganini. Returning to the present, Triana makes a pilgrimage to Brazil where she believes her daughter may be reincarnated. Although Rice tends to group her novels into series, this ghost story bears little relationship to last year's Servant of the Bones. Its themes are darker, its ghost more seductive and its events clearly more personal. With so many parallels between the novel's details and what Rice has revealed of her own lifefrom her battles with weight to her Brazilian odysseyone almost wonders whether Rice has seen something like the apparition that her heroine describes. However much of the tale is pure invention, a new lyricismin keeping with the music that mocks and ultimately consoles her for her mortalitybrings Triana's strong, textured voice almost audibly to life. Library Journal Don't look for vampires or witches in Rice's latest, though it is still haunted by malevolent spirits. A young woman who longs to become a great violinist is at first abetted and then dangerously controlled by the ghost of a Russian aristocrat. Kirkus Reviews Anne Rice in her short form, and yet dreadfully in need of a caustic edit. Wavering between dream and reality, Rice (Servant of the Bones, 1996, etc.) opens with vastly wealthy Triana Becker's heartbreak in New Orleans as her husband Karl dies of AIDS. She lies embracing Karl's corpse for two days, celebrates the love he and she had, and longs to follow him into the grave: "All the blood in our dark sweet grave is gone, gone, gone, save mine, and in our bower of earth I bleed as simply as I sigh. If blood is wanted now for any reason under God, I have enough for all of us." As the reader struggles for a footing in all this gush, Triana's mourning flows into a bitter argument with her sisters, Katrinka and Rosalind, as they ponder where their missing younger sister Faye has gone, noting that a vagabond violinist who has been pursuing Triana has also vanished. Triana has seen a lot of death: her father, her drunkard mother, and the young daughter she and her first husband, Lev, lost to cancer. When Prince Stefan Stefanovsky, the violinist in question and now a ghost, returns with his fiddle, she parries his advances in surprisingly wooden dialogue

. She steals his Stradivarius and, vamping its phantom strings, is able to transport herself and Stefan back to Vienna and Beethoven, then to Venice and Paganini, and, in increasingly surreal sequences, to Rio de Janeiro and to triumphs as an untutored virtuoso, even as the Strad summons up all her dead from the beyond. Listed at FORTY DOLLARS. Approximately TWELVE HOURS playing time on EIGHT audio cassettes. Box has some wear 'n tear around edges; cassettes inside are NEW and come boxed in a tray.
Price: 21.86 USD

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